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                <text>&lt;span&gt;Works acquired for research for my doctoral disseration, and then monograph, "&lt;a href="http://alexandrajuhasz.com/books/aids-tv/" target="_blank" rel="noreferrer noopener"&gt;AIDS TV&lt;/a&gt;" by friends and colleagues in the AIDS activist video movement. Sacred Lies/Civil Truths is by filmmakers Cyrille Phipps and Catherine Saalfield. The film is a document of the religious right's blatant and hateful attacks against the lesbian and gay community. &lt;br /&gt;&lt;br /&gt;A Part of Me is a portrait of for GMHC's Living with AIDS Show, 1993. Featuring Alida "Lilly" Gonzalez. &lt;br /&gt;&lt;br /&gt;Made by my friends and longtime collaborators Juanita Mohammed Szczepanski and Alisa Lebow for the Gay Men's Health Crisis's Living with AIDS Show. I did many and varied projects with both of them over the decades, including co-editing the &lt;a href="https://www.wiley.com/en-us/A+Companion+to+Contemporary+Documentary+Film-p-9780470671641"&gt;Blackwell Anthology on Contemporary Documentary&lt;/a&gt; with Alisa, and making many videos and public events with Juanita, including her final work, "&lt;a href="https://vimeo.com/801359506"&gt;I Want to Leave a Legacy&lt;/a&gt;." To learn more about Juanita's work as a community based videomaker, mother, wife, and friend please see &lt;a href="https://visualaids.org/blog/remembering-juanita-mohammed-szczepanski"&gt;her memorial&lt;/a&gt; on the Visual AIDS website.&lt;br /&gt;&lt;/span&gt;</text>
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                <text>A Part of Me: For Gay Men Health Crisis's [GMHC]  "Living with AIDS Show", 1993. Featuring Alida "Lilly" Gonzalez. By Juanita Mohammed and Alisa Lebow. Runtime 00:10:56</text>
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                <text>Amid a galloping onslaught of misinformation and violence, lesbians and gay men in the U.S. are struggling harder than ever to claim their civil and human rights. While the insurgent Religious Right mobilizes to implement anti-gay measures state by state, the lesbian and gay community is activating to turn the tide of discrimination and keep its eyes on federal gay rights at the same time. The film is a document of the religious right’s blatant and hateful attacks against the lesbian and gay community and it reveals the real agenda of the Christian Right to gain power and impose a “Biblical rule”.’ --&lt;a href="https://letterboxd.com/film/sacred-lies-civil-truths/releases/"&gt;Letterboxed&lt;/a&gt;</text>
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                <text>&lt;a href="http://alexandrajuhasz.com/books/aids-tv/" target="_blank" rel="noreferrer noopener"&gt;AIDS TV: Identity, Community, and Alternative Video by Alexandra Juhasz&lt;/a&gt;</text>
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Gender, Sexuality, and the Politics of Domesticity after World War II, Stephen Vider, University of Chicago Press, 2022&#13;
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                <text>Acquired for research for my doctoral disseration, then monograph, &lt;a href="http://alexandrajuhasz.com/books/aids-tv/" target="_blank" rel="noreferrer noopener"&gt;AIDS TV&lt;/a&gt;. Gregg is a friend and colleague and fellow AIDS activist videomaker whose work has been formative to my thinking and teaching. This work, what I undertood to be the first "meta-AIDS doc," helped me to think about the various methods and liabilities of documentary strategies in relation to AIDS activism.</text>
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                <text>&lt;a href="http://alexandrajuhasz.com/books/aids-tv/" target="_blank" rel="noreferrer noopener"&gt;AIDS TV: Identity, Community, and Alternative Video by Alexandra Juhasz&lt;/a&gt;</text>
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                <text>In the spring of 1988, video-maker/activist Gregg Bordowitz tested HIV-antibody positive. He then quit drinking and taking drugs and came out to his parents as a gay man. This imaginative autobiographical documentary began as an inquiry into these events and the cultural climate surrounding them. While writing the film, a close friend was diagnosed with breast cancer and his grandparents were killed in a car accident. The cumulative impact of these events challenged his sense of identity, the way he understood his own diagnosis, and the relationships between Illness and history. --&lt;a href="https://www.vdb.org/titles/fast-trip-long-drop"&gt;Video Data Bank&lt;/a&gt;</text>
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                <text>&lt;a href="http://www.fatalemedia.com/videos/safe_is_desire.html" target="_blank" rel="noreferrer noopener"&gt;Fatale Media&lt;/a&gt;</text>
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                  <text>VHS Activism is based on collections of VHS tapes linked to themes like AIDS and Activism. Over the course of her career, Prof. Alexandra Juhasz collected hundreds of VHS tapes by film artists out of the mainstream of cinema. In some cases, these films are not commercially available. This collection is designed to bring together the digitizations of the tapes themselves with student-driven annotations, as well as records and references in other media, such as reviews, websites, and study guides. This project is part of the OER Pilot Project at Brooklyn College.</text>
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                <text>&lt;span&gt;&lt;span&gt;"I was in this porno with Cheryl Dunye [my ex partner] made by our friend Shu Lea Cheang. Because I was just starting in my first job as an assistant professor at Swarthmore College, so I asked to not be identifable. We screened it as part of the inter-generational programming, &lt;/span&gt;&lt;/span&gt;&lt;a href="https://www.centerforthehumanities.org/programming/collective-visions-the-past-present-and-future-of-feminist-media"&gt;Collective Visions: The Past, Present, and Future of Feminist Media&lt;/a&gt;&lt;span&gt;&lt;span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span&gt;. While a little embarassing, I know it's beautiful. And I interviewed Shu Lea on her request when I helped to bring her new film, a feature art porn set in a time after HIV, Fliud-0, to NYC." (as told to &lt;a href="https://activismvhs.omeka.net/brianna-jones"&gt;Brianna Jones&lt;/a&gt;, archivist, as she began to help Alex account for the 200 tapes in this collection).&lt;br /&gt;&lt;br /&gt;Shu Lea and Alex went on to engage over the years, most recently in an article they co-wrote about her AIDS film Fluid-0, &lt;a href="https://academicworks.cuny.edu/bc_pubs/272/"&gt;When Are you Going to Catch up with Me&lt;/a&gt;? Shu Lea was also a participant with about 50 or more media feminists in the research meeting Alex recorded as research for what would become Women of Vision. &lt;a href="https://womxn-of-vision.netlify.app/item/research-meeting-1994/"&gt;The tape of that research meeting&lt;/a&gt; held in NY in 1994 has been annotated and is available here. &lt;br /&gt;&lt;br /&gt;(the dub of Sex Fish seemd to have been recorded on a tape after some of a program with behind-the-scenes footage from the making of the film "Alien")&lt;br /&gt;&lt;/span&gt;</text>
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                <text>&lt;a href="https://www.vdb.org/collection/browser-artist-list/shu-lea-cheang-lesbian-shorts" target="_blank" rel="noreferrer noopener"&gt;Video Data Bank: Shu Lea Cheang: Lesbian Shorts&lt;/a&gt;</text>
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                <text>&lt;a href="http://alexandrajuhasz.com/talks/brooklyn-bazaar-fluid-0/" target="_blank" rel="noreferrer noopener"&gt;Brooklyn Bazaar, Fluid 0&lt;/a&gt;</text>
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&lt;p&gt;&lt;a href="https://vimeo.com/203886769"&gt;Joan Does Dynasty&lt;/a&gt; from &lt;a href="https://vimeo.com/papertigertv"&gt;Paper Tiger TV&lt;/a&gt; on &lt;a href="https://vimeo.com"&gt;Vimeo&lt;/a&gt;.&lt;/p&gt;</text>
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                <text>&lt;span&gt;Dub for teaching. I taught with this video early on as a professor and for many years. An important intervention in feminist media analysis and art video.&lt;/span&gt;</text>
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                <text>&lt;a href="https://www.wmm.com/catalog/film/joan-does-dynastyjoan-sees-stars/" target="_blank" rel="noreferrer noopener"&gt;Women Make Movies&lt;/a&gt;</text>
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                <text>Joan projects herself onto and provides commentary on the TV series Dynasty. Hampshire College professor and stand-up theorist Joan Braderman takes on power and desire in TV’s campiest series. “Joan Does Dynasty,” a classic in feminist media deconstruction, is a hilarious look at the materialistic 80’s in the context of the ordinary working person’s life. Superimposing herself over portions of “Dynasty” and into the bedrooms, office suites and maids’ quarters of the super rich, Braderman asks, “Why do 100 million people in 78 countries welcome this department store of dressed-to-kill aliens into their homes every week?” Braderman provides a monologue, infused with a wicked sardonic flair, as she prances and preens through the most successful night-time soap opera of the 1980s. Along with a succinct critical analysis of the disturbing cultural assumptions inherent in the narrative, she has an unabashed appreciation of the show’s seductive power.Co-Director Manual Delanda. Screened at the Whitney Museum of American Art (2007) and New Museum of Contemporary Art in NYC (2008). --&lt;a href="https://vimeo.com/203886769"&gt;Paper Tiger TV&lt;/a&gt;</text>
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                  <text>VHS Activism is based on collections of VHS tapes linked to themes like AIDS and Activism. Over the course of her career, Prof. Alexandra Juhasz collected hundreds of VHS tapes by film artists out of the mainstream of cinema. In some cases, these films are not commercially available. This collection is designed to bring together the digitizations of the tapes themselves with student-driven annotations, as well as records and references in other media, such as reviews, websites, and study guides. This project is part of the OER Pilot Project at Brooklyn College.</text>
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                <text>"Someone gave this to me to teach with, I'm not sure I ever did, and know little about it. At Pitzer College, I was a strong champion for both Ethnic Studies and Affirmative Action." as told to collection archivist, Brianna Jones, on our initial conversation as I described each tape to her at a Brooklyn coffee shop.</text>
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