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For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexandra Juhasz AIDS Activism VHS Collection Subject The topic of the resource AIDS Activism Description An account of the resource VHS Activism is based on collections of VHS tapes linked to themes like AIDS and Activism. Over the course of her career, Prof. Alexandra Juhasz collected hundreds of VHS tapes by film artists out of the mainstream of cinema. In some cases, these films are not commercially available. This collection is designed to bring together the digitizations of the tapes themselves with student-driven annotations, as well as records and references in other media, such as reviews, websites, and study guides. This project is part of the OER Pilot Project at Brooklyn College. Creator An entity primarily responsible for making the resource Alexandra Juhasz Date A point or period of time associated with an event in the lifecycle of the resource 1980-2010 Contributor An entity responsible for making contributions to the resource Emily Fairey Brianna Jones Rights Information about rights held in and over the resource Creative Commons Format The file format, physical medium, or dimensions of the resource Video VHS Language A language of the resource English Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Director Name (or names) of the person who produced the video Carolee Schneemann URL For research, teaching, and educational use please use CONTACT US in About section to make a request for access. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Known Unknown Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a href="https://www.schneemannfoundation.org/" target="_blank" rel="noreferrer noopener">Carolee Schneemann Foundation</a> <a href="http://alexandrajuhasz.com/books/women-of-vision/" target="_blank" rel="noreferrer noopener">Women of Vision: Histories in Feminist Film and Video</a> <a href="https://online.ucpress.edu/fmh/article-abstract/5/4/1/109521/Editors-IntroductionInformed-Historical-Reveries?redirectedFrom=fulltext" target="_blank" rel="noreferrer noopener">Feminist Media Histories</a><br /><br />Coda: In Love, Anger, and Loss: Barbara Hammer and Carolee Schneemann, Feminist Media Histories, <a href="https://online.ucpress.edu/fmh/issue/5/4">Volume 5, Issue 4</a> <a href="https://hyperallergic.com/617414/for-feminist-artists-recognition-often-comes-too-late/" target="_blank" rel="noreferrer noopener">Hyperallergic: For Feminist Artists, Recognition Often Comes Too Late</a> Description An account of the resource <span>Carolee was one of the subjects of <a href="http://alexandrajuhasz.com/books/women-of-vision/" target="_blank" rel="noreferrer noopener">Women of Vision</a>. She gave this and other tapes of her film and video work to me for B-roll. I recently re-interviewed her when she had a major retrospective in NYC at PS1. I went to her house upstate and had a memorable day: interview, meal, and she gave me three pairs of shoes (we have the same shoe size!) which I love to walk in. I published an homage to her, Barbara Hammer, and Agnes Varda after their deaths in <a href="https://hyperallergic.com/617414/for-feminist-artists-recognition-often-comes-too-late/" target="_blank" rel="noreferrer noopener">hyperallegic</a>, and also in the <a href="https://online.ucpress.edu/fmh/article-abstract/5/4/1/109521/Editors-IntroductionInformed-Historical-Reveries?redirectedFrom=fulltext" target="_blank" rel="noreferrer noopener">Feminist Media Histories</a> special issue.</span> Date A point or period of time associated with an event in the lifecycle of the resource 1996 Subject The topic of the resource feminist, woman filmmaker, experimental, cancer Abstract A summary of the resource. Plague Column: Known Unknown, 1995 mixed media installation 32 ¼ × 12 in. (81.92 × 30.48 cm) The title refers to a Viennese plague column from the 17th century, in which the bubonic plague is represented as a witch; the victory over disease is imagined as the conquering of an unruly and malignant femininity. Video loops of enlarged permutated cancer cells are juxtaposed with grids of religious icons. The savagery of the witch hunt and of breast cancer itself are unified within the maligned body, both feared and desired. --<a href="https://www.schneemannfoundation.org/artworks/plague-column-known-unknown">Carolee Schneemann Foundation</a> 1996 Carolee Schneemann experimental feminist Known/Unknown woman filmmaker