1 50 2 https://d1y502jg6fpugt.cloudfront.net/33273/archive/files/664fcdc32d028e93f91b149f89d8b6a6.png?Expires=1779926400&Signature=bzV4L3a6Ep4Wlo2kiUQ4vTRXsFfhYAQu1lA-VZqE8-igMrxUp4svapxU1eKpDFfdZey%7ELhqYKzPmPz7a6CN5iGDBF6cyqQJX5GDNPTfzr61szHSF0QotuOT-d1M3Bmr44O7pZktBvCq6sGLhfNwVmPfyLVbWYILnLoyGp9my7zY4YDF7XZ8SNfJY-7qDl3UQNIA5cNeNwKE5aCdM%7Evftals-22ZfeTSOM-q5QtsuF6eZI5vDmWQfnef92bBUveHTdEo-kjqE8tl9lElmeyE0ORtmkus10uIYVejqR34OVUB3BtIgBE46TQuNTZhJHiVg7TkZSYB%7EXlAaGLaezF3t3g__&Key-Pair-Id=K6UGZS9ZTDSZM f051ad04ef1a74203aeaf09d944be3ba https://d1y502jg6fpugt.cloudfront.net/33273/archive/files/6fec2ae00e3633803a8126e5645c56d3.png?Expires=1779926400&Signature=JsOnBGESMao9hSg2Ast1ECT9m7OqISmJv0m8de0ssSI2AArQ0tUoUcBSwOOJN-tOue-JJaioflzDehD6HBgDBuwzA0k26S69TJfH4Cl%7E1tO7TBFPFdevu5QKSPdtZ6TfbyxL3MT4CrYwuHWoOHBto4DBOoXt88Fec1AFDoNhmXCLqXGh44%7EN1xDy-of3rD-c1nScb5aNj92Oo1RgGXBQrhAXWL%7EdQPEIeVa3jBt6617FAOpyyWxQnU63QeqzN6sVwOefRjDvSuN3MJwSBOeDARxoD%7EdClQQIbw4PZOwuN8tpD97GIPB20idPIo-t4BsgddzESng2L0ykNe6VT9GZdw__&Key-Pair-Id=K6UGZS9ZTDSZM 8694142669509174e2ddf43e9aee6d14 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexandra Juhasz AIDS Activism VHS Collection Subject The topic of the resource AIDS Activism Description An account of the resource VHS Activism is based on collections of VHS tapes linked to themes like AIDS and Activism. Over the course of her career, Prof. Alexandra Juhasz collected hundreds of VHS tapes by film artists out of the mainstream of cinema. In some cases, these films are not commercially available. This collection is designed to bring together the digitizations of the tapes themselves with student-driven annotations, as well as records and references in other media, such as reviews, websites, and study guides. This project is part of the OER Pilot Project at Brooklyn College. Creator An entity primarily responsible for making the resource Alexandra Juhasz Date A point or period of time associated with an event in the lifecycle of the resource 1980-2010 Contributor An entity responsible for making contributions to the resource Emily Fairey Brianna Jones Rights Information about rights held in and over the resource Creative Commons Format The file format, physical medium, or dimensions of the resource Video VHS Language A language of the resource English Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Director Name (or names) of the person who produced the video Elisabeth Subrin Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 36 mins URL For research, teaching, and educational use please use CONTACT US in About section to make a request for access Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fancy Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a href="http://www.elisabethsubrin.com" target="_blank" rel="noreferrer noopener">Elisabeth Subrin official site</a> <a href="http://www.vdb.org/titles/fancy" target="_blank" rel="noreferrer noopener">Video Data Bank: The Fancy</a> Description An account of the resource Gift from filmmaker. She is a friend and colleage and also wrote an essay for my collection "<a href="http://alexandrajuhasz.com/books/f-is-for-phony/" target="_blank" rel="noreferrer noopener">F is for Phony: Fake Documentary and Truth's Undoing</a>," co-edited with Jesse Lerner (University of Minnesota Press, 2006) about her compelling reenactment film, Shulie. Date A point or period of time associated with an event in the lifecycle of the resource 2000 Subject The topic of the resource experimental, woman filmmaker, biography, queer Abstract A summary of the resource. The Fancy is a speculative, experimental work that explores the short life of Francesca Woodman (1958-1981), culled only from the public record of published catalogues of and about her photographs. Structural in form, the video radically reorganizes information from the catalogues in order to pose questions about biographical form, history and fantasy, female subjectivity, evidence, and issues of authorship and intellectual property. "One of the most moving evocations of the irreplaceable quiddity of a person... Somehow Ms. Subrin confers immortality on her subject while at the same time making vivid her irrevocable absence." —A.O.Scott, "Video Art in a World on Tape," The New York Times from<a href="https://elisabethsubrin.com/The-Fancy"> elisbethsubrin.com</a> 2000 biography Elisabeth Subrin experimental queer The Fancy woman filmmaker https://d1y502jg6fpugt.cloudfront.net/33273/archive/files/6a8a611c49642a0924610e02b50cc587.jpeg?Expires=1779926400&Signature=s3a3%7ExQ65VO1QP6LNj3xgdSzopZaSp58dEGtFKBLcwNrhEjO5QZh1npntZolqkF%7E%7E8nnPHCknTkKa53R20E6A1Dd14o0rEY9QdzPxgistOh0UI5toccRoo4DBclKYUvUwc%7ExNJo2Man1IQghTSAIbAbCLwKYxEE-HtFVjK1bxIgdtmNixhhpkk28o2cvoGKXtul%7E6YtWtuJ85K%7EIR1hD3fgNSk2afbCIASUyJn9GDur2HbqHyfP87j-YOoKS84IBhpHlUC%7EQtyJAym%7ECG%7En6WwmEvY7P378jWRB8iIz8dbQdGXn26L0m0ljlyQsounM5LCA%7E6%7E4oC8ZMYty9QwV6Og__&Key-Pair-Id=K6UGZS9ZTDSZM 9eb9a1748fa7baa564049ca8a01c67b9 https://d1y502jg6fpugt.cloudfront.net/33273/archive/files/d1eba56c44d9147f6c4eb815c09b0ac4.png?Expires=1779926400&Signature=D1sMC51sniQUOWDCYG4X7xVsKidr-nki1P3VpDopU2fBchk7k5rczT7KhcLKgo4lnYtEIdpjAvr4bzfDeSZhBziE1NKLojlafKPtzzKTojzFOY13qWlJ1v5LJ1XiOot4u8VRlq8p%7ENGwgrqdQQaa6as4wC0JCvEx7MhuocTOLXXAcI41I7mesxDas0PLTFmwzKy7y53IqPLo8YGwzAAMVFLrLut7Lo97ZAhTEsO-QzkTvbpYLKAl8c1P5GKQQhgkKI2TxyYXaCbxYjJnd1ToK6Zdqn2z17nkbDTNrf9URAm%7E3ZwrI0D6CkUC-hGqkjVTMmtPSN5xDmYb5V3iXrSq6A__&Key-Pair-Id=K6UGZS9ZTDSZM 88d38e1b42a017502aeea00351502cb0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Alexandra Juhasz AIDS Activism VHS Collection Subject The topic of the resource AIDS Activism Description An account of the resource VHS Activism is based on collections of VHS tapes linked to themes like AIDS and Activism. Over the course of her career, Prof. Alexandra Juhasz collected hundreds of VHS tapes by film artists out of the mainstream of cinema. In some cases, these films are not commercially available. This collection is designed to bring together the digitizations of the tapes themselves with student-driven annotations, as well as records and references in other media, such as reviews, websites, and study guides. This project is part of the OER Pilot Project at Brooklyn College. Creator An entity primarily responsible for making the resource Alexandra Juhasz Date A point or period of time associated with an event in the lifecycle of the resource 1980-2010 Contributor An entity responsible for making contributions to the resource Emily Fairey Brianna Jones Rights Information about rights held in and over the resource Creative Commons Format The file format, physical medium, or dimensions of the resource Video VHS Language A language of the resource English Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Director Name (or names) of the person who produced the video Elisabeth Subrin Duration Length of time involved (seconds, minutes, hours, days, class periods, etc.) 28 mins URL For research, teaching, and educational use please use CONTACT US in About section to make a request for access. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data VHS Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Swallow Is Referenced By A related resource that references, cites, or otherwise points to the described resource. <a href="http://www.elisabethsubrin.com" target="_blank" rel="noreferrer noopener">Elisabeth Subrin Official Website</a> <a href="http://www.vdb.org/titles/swallow" target="_blank" rel="noreferrer noopener">Video Data Bank: Swallow</a> Description An account of the resource Gift from filmmaker. I think I wrote a letter of evaluation for Elisabeth at one point and may have acquired many of her films for this reason. Many of our core interests align: feminism, reenactment, women's liberation. Elisabeth wrote an important contribution for the collection I co-edited with Jesse Lerner on fake documentaries, F is for Phony, about her own reenactment practice in her rich and complex film Shulie. Date A point or period of time associated with an event in the lifecycle of the resource 1995 Subject The topic of the resource experimental, woman filmmaker, queer, anorexia, depression, body dysmorphia, personality disorders Publisher An entity responsible for making the resource available Video Data Bank Abstract A summary of the resource. "Subrin's cross-texting Swallow portrays the artist as a young anorexic, bombarded by the contradictory messages of a malign culture. Personality disorders find their formal equivalents in a work that clouds the borders of the bio-pic, by shifting voices, legitimizing accounts, and skillful layerings of social history." -Steve Seid, Curator, Pacific Film Archives, Berkeley, CA "For Subrin, as the visual metaphor of silence or speechlessness—evidenced primarily by the repeated use of white-out on the body, text and image—gains prominence in Swallow, it becomes clear that the fragility of female identity in post-feminist America appears, in part, as a failure of language itself." -Tina Wasserman, New Art Examiner, Chicago from <a href="https://elisabethsubrin.com/Swallow">elisabethsubrin.com</a> Elisabeth Subrin’s Swallow, meanwhile, revolves around another kind of psychic and physical breakdown. Deftly blending found footage and self-shot material with spoken recollections of a childhood friend’s eating disorder, Subrin navigates the darker side of a Free to Be...You and Me upbringing: ‘It was 1975. There was no name for it, but I knew what she was talking about. - Films by Lincoln Center Elisabeth Subrin’s SWALLOW is based on accounts of eating disorders of her childhood friends and examines a dark aspect of the lives of today’s young women which may cause psychic and physical collapse.” - Viennale Film Festival 1970 1975 1995 anecdote anorexia body dysmorphia childhood depression eating disorders Elisabeth Subrin experimental grayscale introspection memory personality disorders psychology queer re-enactment shirley temple Swallow voiceover woman filmmaker yelling