Browse Items (269 total)

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Cover Image for Hear Dear J Talk: Cover image

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I taught this film for many years. It felt utterly cutting edge to me, primarily for its no-holds-barred attack on racism from Sandra Bernhard's debased position of whiteness. It's cheeky queerness also felt utterly new in its time.

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This is a critical contribution to the history of feminist documentary, as it is situated within activist film. It links the women's movement to contemporaneous organizing and thinking about class and race, and understands access to filmmaking and…

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Intoxicating, moving, brilliant entre into bohemain NY by one of experimental cinema's giants.

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This dub was a gift to me from another Professor at Pitzer so that I could use it to teach women's and feminist film. Not sure I ever did.

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I taught this series for many years as a strong representation of the possibilities for community-based, collective, activist youth video. It seems to also have some of the TV show Absolutely Fabulous recorded from TV on to the same tape.

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This is a dub from TV. I taught this series for many years as a strong representation of the possibilities for community-based, collective, activist youth video.

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I believe this dub was a gift to me from another professor to be used for research on my documentary and book, "Women of Vision." She was a successful woman director during the silence period.

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I teach this film in feminist documentary because of its groudbreaking integration of documetary and fiction as well as for Gomez's important role as a woman filmmaker within Third cinema.

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Dub of VHS filmed from 16mm print projected on a wall. I taught this film frequently in feminist film classes.

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Gift from filmmaker; I met him working on an activist media project on diversity and identity in the 1990s.

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Video used for teaching race in documentary.

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Gift from filmmaker Susan Mogul. She was one of the subjects of my documentary, Women of Vision, and I also brought her often to Pitzer college to screen her tapes. She became a colleague and friend.

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Gift from filmmaker. Sam was the daughter of my friend and colleague, Faye Ginsburg, who gave me the video to teach with. Both agreed it would promote her activist agenda to be digitized and put online. Samantha Ginsburg Myers, 33, passed away…

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Gift from filmmaker. Enid was a frequent collaborator as an editor and artist, and one of my favorite video artists of the 1990s. She edited my documentaries, Dear Gabe and Video Remains. She continues making art that links to the sciences focusing…

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Someone gave this to me to teach with, I'm not sure I ever did, and know little about it. At Pitzer, I was a strong champion for both Ethnic Studies and Affirmative Action.

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Gift from Gina Lamb, director of REACH LA at the time. Don't believe I ever watched this.

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Gift from filmmaker. Yvonne is my longtime friend and collaborator. I teach her films frequently in courses on feminist, queer, and documentary film. She was one of the subjects for my project, Women of Vision. Later yet we co-edited the scholarly…

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Gift from filmmaker. Elisabeth is a friend, colleague, and queer feminist experimental compatriot. She wrote about this film for the book I co-edited with Jesse Lerner, "F is For Phony: Fake Documentary and Truth's Undoing" (University of Minnesota…

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Gift from filmmaker, for research and teaching.

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Gift from artist. The band's front-woman, Martha Gonzalez, is a friend and colleague, and the music video is by my friend and fellow videomaker, Fatimah.

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I taught these films often in feminist documentary as well as in a course on ethnographic film and autobiography. Myerhoff's self-reflexive, community-situated documentary-making has long been a model for me. I learned about her work from my mentor,…

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Gift from filmmaker. Joan is a fellow activist from LA. The box says "FABULOUS FORESTS: Cameroon/Indonesa Part One" on the top. My guess is that she recorded over the original tape to give me this dub.

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Gift from filmmaker. I worked with Susan on my documentary and book, Women of Vision.

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Gift from filmmaker. I worked with Susan on Women of Vision. She gave me these dubs to use as B-roll for my documentary.

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Gift from filmmaker. I think I wrote a letter of evaluation for Elisabeth at one point and may have acquired many of her films for this reason.

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A gift from the filmmaker. I received tapes like this over the years to teach, or write about, or program because of my research interests.

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Gift from filmmaker. She is a friend and colleage and also wrote an essay for my collection "F is for Phony: Fake Documentary and Truth's Undoing," co-edited with Jesse Lerner (University of Minnesota Press, 2006).

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Gift from filmmaker. Acquired for teaching and research and because I wrote a review letter for her.

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Gift from filmmaker. Ellen is a friend and collaborator. I helped a little on this film by holding the puppet/prostheses that stood in for her dog who had died before the shoot was over. Recently I produced a short documentary for Ellen and…

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Gift from filmmaker. Fatimah is a friend and colleage and like me, a hyphonate PhD/filmmaker. We shared work and screened each others' films on many occasions.

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Gift from filmmaker. I believe I acquired many of Charlene's films when I wrote an evaluation letter for her. I also knew her from Philly when I was making "The Watermelon Woman." She acted in some of the photos for the Fae Richards Archive.

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Gift from filmmaker. I believe I acquired many of Charlene's films when I wrote a letter of evaulation for her as a fellow academic. I also knew her socially from Philly when I was making The Watermelon Woman with Cheryl Dunye.

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Dub for teaching. I used these films often in my first years teaching feminist and women's film. Maybe Women Make Movies or the artists sent them to me for research for Women of Vision.

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Gift from filmmaker. For research and teaching.

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Gift from filmmaker. Michelle is a friend and colleague and was one of the subjects of my documentary Women of Vision, she gave me copies of her work to use as b-roll.

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Gift from filmmaker. Gina taught with me for years at Pitzer College. I love teaching this video by and about Latina girls and the power of media literacy.

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Dub for teaching. I taught with this video early on. An important intervention in feminist media analysis and art video.

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Dub for research for Women of Vision acquired from distributor. I taped over a video with a box label reading: Riverside Art-4, Fall 97, Jacob Lind, which led to some initial confusion when the Brooklyn College Librarians and I were trying to make…

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Dub for teaching. Amazing resource about consciousness-raising and its relation to video. Powerful to this day in its forthright conversation about women's sexuality. Minor Altercation is also on this tape. One of the first narrative films directed…

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Gift from filmmaker. Carol is a friend and collaborator who I first met making AIDS activist video. She was also a subject of my documentary Women of Vision. Students love learning about her large oeuvre connecting sex work, feminism, AIDS and…

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Carolee was one of the subjects of Women of Vision. She gave this and other tapes of her film and video work to me for B-roll. I recently re-interviewed her when she had a major retrospective in NYC at PS1. I went to her house upstate and had a…

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Gift from filmmaker. I knew Jennifer in the early 90s and taught this important film at that time. The interaction between experimental filmmaking and documentary in her work is compelling.

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Gift from filmmaker. Vanalyne is a friend and colleague. She was a subject of my documentary Women of Vision and would have given this to me to use for b-roll and teaching.

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Acquired as research for Women of Vision from the distributors. I also used this film for classes in women's and feminist films. Yvonne was my teacher at the Whitney Program in the 1980s. She can be seen in the 4+ hours of research footage I shot for…

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Acquired as research for Women of Vision from the distributors. Yvonne was my teacher at the Whitney Independent Studio Program and a role model for a life as a feminist queer artist, as well as for her conceptual inspiration.
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