Browse Items (51 total)

Gift from the filmmaker. We went to the Whitney Independent Studio together in the 1980s and I brought her to Pitzer in the early 2000s to show her work. I follow her current work on immigration and the environment.

Acquired for research for my doctoral disseration, and then monograph, "AIDS TV." Made by my friends and compatriots in the AIDS activist video collective, Testing the Limits, many of who were in the Whitney ISP program before me. I learned so much…

Composite reel of tapes acquired for research for my doctoral disseration, then monograph, AIDS TV. Dubs of tapes I made to review. Not sure what the last one is.

Short videos made as part of the WAVE project which worked in an AIDS video collective to tell stories of urban women of color impacted by AIDS. The project is the subject of the final auto-ethnographic chapter of my disseration, AIDS TV. Digitized…

One of three documentaries I made for GMHC's "Living with AIDS" cable tv show. All three exhibit a sustained commitment to an "intersectional" approach to understanding and representing the AIDS crisis when considering the experiences of women. This…

Made with a feminist activist video collective of my students at Swarthmore College. We were interested in what seems the perennial problem: why young women do not identify as "feminist" and why they should!

My work: a short video introducing the themes and families who would be the subject of my feature on feminist queer families, including my own, Dear Gabe. The short premiered at the Sundance Film Festival in 2002. It is about the Jewish babynaming…

Acquired for research for my doctoral disseration, then monograph, AIDS TV.  Gifted for me for research on my doctoral dissertation on AIDS activist video by friends and fellow activists Amber Hollibaugh and Alisa Lebow.An informative documentary on…

Dubs for teaching. I teach these videos all the time. Clarke's because she invents a powerful and early method to let people express themselves on video, Kuchar because his diary films are beautiful, funny, smart, poignant, and edited with amazing…

Gift from filmmaker for teaching and research.Set in South Carolina on the eve of the 1969 Apollo 11 moon walk, One Small Step is a dramatic comedy about a rambunctious 8-year-old tomboy, Ernestine “Teen” Miller. Taught by her parents that she can be…

Gift from filmmaker. Meema participated in a videomaking workshop that my partner at the time, Cheryl Dunye, taught in the late 80s, and that I also participated in, at Film/Video Arts in NYC. This is an early documentary that played on PBS about…

Gift from filmmaker. Elspeth was a friend and colleague who I met through activist AIDS video, and documentary studies. She died tragically in her 40s.Suburbs of Eden by Cecelia Condit was also recorded on this tape.

Gift from filmmaker. Alisa is a longtime friend and collaborator who I met making AIDS activist video. We co-authored the Blackwell Anthology on Contemporary Documentary together many years later, and recently co-penned the manifesto "Beyond Story"…

Gift from filmmaker. Barbara is a friend and colleage. She was one of the subjects of my book and documentary on feminist film history, Women of Vision. Over a long career in filmmaking, Barbara explored many styles and theories that would allow her…

gift from filmmaker. Yvonne is my longtime friend and collaborator. I teach her films frequently in courses on feminist, queer, and documentary film. We co-edited Sisters in the Life: A History of Out African-American Media Making (Duke University…

"I was in this porno with Cheryl Dunye [my ex partner] made by our friend Shu Lea Cheang. Because I was just starting in my first job as an assistant professor at Swarthmore College, so I asked to not be identifable. We screened it as part of the…

Gift from filmmaker. Victor was a colleague at the Claremont Colleges. We spoke often about his developing documentary practice. Susan is a friend and colleague. The documentary makes an important intervention into queer and trans history and film by…

Gift from filmmaker. Barbara was a friend and colleague, inspiration and radical. A lesbian experimental filmmaker, teacher, and activist, she made work for decades, as queer, lesbian, feminist, and AIDS activism transformed. She was a subject of my…

Gift from filmmaker. Cheryl is a long-time collaborator (we made The Watermelon Woman together). I teach her videos often. She is my ex-partner. Cheryl's work is formative in her documentary/fiction bleed. I taped Body Beautiful onto this tape that…

Purchased for teaching. I taught often with this collection at Pitzer College over many years and in a variety of Media Studies classes from Feminist Documentary to Video Art. It's an imprtant and large compliation documenting the history of feminist…

Purchased for teaching. I taught often with this invaluable multi-boxed collection from Video Databank which is currently unavailable.

Purchased for teaching. I taught often with this invaluable several-boxed collection from Video Databank which is currently unavailable.

Purchased for teaching. I taught often with this collection.

I used these for teaching, no idea where or how I got them. But at the time, they were very hip interventions into queer and feminist filmmaking.

Acquired as research for Women of Vision from the distributors. Yvonne was my teacher at the Whitney Independent Studio Program and a role model for a life as a feminist queer artist, as well as for her conceptual, intellectual, and experimental…

Acquired as research for Women of Vision from the distributors. I also used this film for classes in women's and feminist films. Yvonne was my teacher at the Whitney Program in the 1980s. She can be seen in the 4+ hours of research footage I shot for…

Gift from filmmaker. Vanalyne is a friend and colleague. She was a subject of my documentary Women of Vision and would have given this to me to use for b-roll and teaching. Here is the interview I conducted with her for that project.She also…

Gift from filmmaker. I knew Jennifer in the early 90s and taught this important film at that time. The interaction between experimental filmmaking and documentary in her work is compelling.

Carolee was one of the subjects of Women of Vision. She gave this and other tapes of her film and video work to me for B-roll. I recently re-interviewed her when she had a major retrospective in NYC at PS1. I went to her house upstate and had a…

Gift from filmmaker. Carol was a friend and collaborator who I first met making AIDS activist video. She was also a subject of my documentary Women of Vision. Students love learning about her large oeuvre connecting sex work, feminism, AIDS and…

Dub for teaching. Amazing resource about consciousness-raising and its relation to video. Powerful to this day in its forthright conversation about women's sexuality. Minor Altercation is also on this tape. One of the first narrative films directed…

Dub for research for Women of Vision acquired from distributor. I taped over a video with a box label reading: Riverside Art-4, Fall 97, Jacob Lind, which led to some initial confusion when the Brooklyn College Librarians and I were trying to make…

Dub for teaching. I taught with this video early on as a professor and for many years. An important intervention in feminist media analysis and art video.

Gift from filmmaker. Gina taught with me for years at Pitzer College. I love teaching this video by and about Latina girls and the power of media literacy.

Dub for teaching. I used these films often in my first years teaching feminist and women's film. Maybe Women Make Movies or the artists sent them to me for research for my film and book, Women of Vision.

Gift from filmmaker. Fatimah is a friend and colleage and like me, a hyphonate PhD/filmmaker. We shared work and screened each others' films on many occasions.

Gift from filmmaker. I worked with Susan on Women of Vision. She gave me these dubs to use as B-roll for my documentary. I am a fan of her work. She began making video with the LA Women's Building and has continued, creating an impressive oeuvre of…

Gift from filmmaker. I worked with Susan on my documentary and book, Women of Vision.

I taught these films often in feminist documentary as well as in a course on ethnographic film and autobiography. Barbara Myerhoff's self-reflexive, community-situated documentary-making has long been a model for me. I learned about her work from my…

Gift from artist. The band's front-woman, Martha Gonzalez, is former colleague at the Claremont Colleces, and the music video is by my friend and fellow videomaker, Fatimah Tobing Rony. We are all feminist artist/scholars.

Gift from filmmaker, for research and teaching.

Gift from filmmaker. Elisabeth is a friend, colleague, and queer feminist experimental compatriot. She wrote about this film for the book I co-edited with Jesse Lerner, "F is For Phony: Fake Documentary and Truth's Undoing" (University of Minnesota…

Gift from filmmaker. Enid was a frequent collaborator as an editor and artist, and one of my favorite video artists of the 1990s. She edited my documentaries, Dear Gabe and Video Remains. She continues making art that links to the sciences focusing…

Gift from filmmaker Susan Mogul. She was one of the subjects of my documentary, Women of Vision, and I also brought her often to Pitzer college to screen her tapes. She became a colleague and friend.

Dub of VHS filmed from 16mm print projected on a wall. I taught this film frequently in feminist film classes. It never stops giving: ideas about watching, time, and female's agency as actor, director, viewer, and "homemaker."

I love to teach this film in feminist documentary because of its groudbreaking integration of documetary and fiction as well as for Gomez's important role as a woman and feminist and radical filmmaker within Third and Cuban cinema.

This dub was a gift to me from another Professor at Pitzer so that I could use it to teach women's and feminist film. Not sure I ever did. However, when I was editing my newest video, "Please Hold," in March 2024 as part of their amazing Film/Video…

This is a critical contribution to the history of feminist documentary, as it is situated within activist film. It links the women's movement to contemporaneous organizing and thinking about class and race, and understands access to filmmaking and…
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